About Carmina Burana, New Year’s 2014, great Festspielhaus, Salzburg
“You spend half of your life waiting for nothing.” This saying of one of my colleagues at the Tyrol Festival in Erl, 2012, has stayed with me every time I think of Carmina Burana.
In operas, as in concerts, some tenor parts are an enormous challenge because of their shortness. One example is the ‘singer’ in Strauss’ ‘Rosenkavalier’; another is Carmina Burana’s ‘swan’. To begin with, you sit on the stage for an hour and a half listening to your busy soloist colleagues, the soprano and the baritone. Continue reading