About the Superhuman.

Preparing for my next part, I catch myself trying to bring Carl Maria von Weber’s ‘Der Freischütz’ to a human, more comprehensive level. I am searching for explanations in the ghastly and diabolical visions that come from the drugs that are given to Max by Kaspar. I also envision that Agathe’s ideal love is a result of naivety, and that Max’s devotion to his fate is a result of fear and being overburdened. Continue reading